Crowd of musicians:
The earliest images show musicians playing a wide range of instruments, wind and string,
with some percussion.
Duos:
Duos are included here as, the pipe and tabor being two instruments, the addition of one other instrument makes it a band. |
with hurdy gurdy: |
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with bagpipes: |
14th century England fol. 140r |
1470 Cheshire, England |
1564 painting Belgium |
17th century unknown |
1785 playing for
wedding, France |
19th century Catalonia, Spain |
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Majorca, Spain date unknown |
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with other instruments: |
1317 double pipe
[more double pipe images here] |
late 15th century Burgundy, France |
1515 with bladder pipe Germany |
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1537 Greece |
In medieval France:
Two pipe and tabor players and a rebec player were specifically hired to accompany dances, identified as the “bergeres,
bergidios, and morisque,” and one of the pipe and tabor players was paid extra to rehearse with the dancers of the moresque
for the banquet.
from:The Musical Sounds of Medieval French Cities |
1545 Nurenberg, Germany |
1568 Frankfurt am Maine, Germany |
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18th century Bow ceramic figures, England |
18th century Bow ceramic figures, England [more images here]
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Ibiza, Spain, leading procession out of church |
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with harp: |
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newspaper: Hull Packet - Tuesday 06 July 1813  |
with fiddle / viol / violin: |
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14th century stone carvings, Lincolnshire, England |
medieval |
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first half of 16th century Switzerland |
16th century players, Switzerland |
16th century France |
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18th century France |
late 18th century for dance, France |
18th century France |
Catalonia, Spain |
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1794 ‘The Dancing Master’s Ball’ |
1808 newspaper report: 1808: newspaper report on a fete at Old Windsor attended by Royalty, England |
1809 poem Chester Courant - Tuesday 12 December 1809 |
1812: picnic as described in ' The Vicar of Wakefield' by Oliver Goldsmith, England
"Our music consisted of two fiddles, with a pipe and tabor. .... The ladies of the town .. swam, sprawled,
languished, and frisked.... after the dance had continued about an hour, the two ladies, who were apprehensive of
catching cold, moved to break up the ball." |
1813 A Grand Ball at Mount Shannon
as described in the Limerick Advertiser, Ireland
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1821 Morning Post - Tuesday 09 January 1821 |
1850 Durham, England |
1826 Election song for Liddell in Northumberland:
“Liddell for ever
Strike up in full concert
pipe, tabor and fiddle;
Northumbrian freeholders
rejoice one and all...”
reported in the Newcastle Courant - Friday 20 May 1887 |
1847 ' The Village Merry-Making
A Hundred Years Ago' |
1863 to celebrate a Royal Wedding in England: Birmingham Daily Gazette - Monday 16 March 1863 |
1883 Letter to the Editor of an Irish newspaper: Belfast News-Letter - Thursday 04 October 1883 |
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1890 Basque country, France
[more Basque country images here] |
19th century Basque country |
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20th century Bearn, France |
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early 20th century France |
2015 Toulouse, France |
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Loud and soft medieval bands |
In medieval Europe bands were divided into soft (bas) and loud (haut) bands from the 13th century onwards.
The pipe and tabor fitted into both categories:
Loud: |
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