the Pipe and Tabor compendium

the Pipe and Tabor compendium

essays on the three-hole pipe

UK: associated pipes

double pipes


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gallery contents

Double pipes, or two pipes played at the same time, are found in sculptures, paintings, stained glass, religious manuscripts and archaeology dating back into pre-history, right up to the present day. Sometimes the two pipes are exactly the same; other images show two slightly different shapes, one playing the tune and the other a drone pipe.

It is impossible to see the mouth-piece on some of these images: some may be duct flutes, others may have single or double reeds or be trumpets. If you have information on the mouth-piece of any of these instruments I would be grateful to know.

I have not included images where it is definately not a variety of duct-flute without keys. Around 1810 an English instrument maker, William Bainbridge, patented a keyed double flageolet which consisted of two English flageolets joined together so that the player could harmonise the tunes that s/he played. Flageolets are therefore not included here.

10th century Ireland10th century Clonmacnoise, Ireland
forerunner of the bagpipe?
10th century England10th century England


10th century Irish text describing a legend:

A man called Mac Díchoíme made a double pipe
(cuislenn dégabail) from three saplings.

[Ed. This may have been a reed pipe]

‘Flutes, pipes, or bagpipes? Observations on the terminology
of woodwind instruments in Old and Middle Irish’
by Bisagni, Jacopo, 2015, page 24

1170 triple pipes1170 England

late medievallate medieval double pipes in Pitt Rivers Museum, Oxford

c.1200 Englandc.1200 north England folio 32r
13th century, Lincoln Cathedral, Lincolnshire
1225-50 siren, manuscript, St Albans
1230

1230

siren1300 copy siren, manuscript

c.1230 siren, manuscript London
double pipe with bells, Oxfordshire
1275-1300 York1275-1300 York 13v
pew end
12591259 East Anglia, manuscript
band1259 the band
1250-13301250-1330 East Anglia
Winchester CathedralWinchester Cathedral drawing
The art journal London, Volume 1
pg 201 1863
  1301 - 13501301-1350 devil, Salisbury  
1310-20 Westminster, London 193v
double pipes1310-20 Westminster, London 126r
 

1320 Luttrell Psalter

13261326 Holkham Bible 43r

13271326 London Holkham Bible 31r 13271326 London Holkham Bible 18v
13261326 Holkham Bible 56r
13301340 London
13401340 London, manuscript, Smithfield Decretals
1340 Hanwell1340 stone carving
Hanwell, Oxfordshire
1330around 1320-1330, Bible, London

Heckington, Lincolnshireearly 14th century Heckington, Lincolnshire
1309-1349 Beverley Minster
stone carving 1
1309-1349 Beverley Minster
stone carving 2
Beverley1309-1349 Beverley Minster
stone carving 3
1325-50 Canterbury
manuscript Psalter

1325-50 Canterbury
manuscript Psalter 2

14th century Winchester Cathedral misericord
14th century14th century Winchester Cathedral misericord
14th century14th century keystone, Winchester Cathedral
1375-1404 Westminster Abbey wall painting
1380 Arundel Castle1380 Fitzalan Chapel, Arundel Castle
West Sussex
possibly 14th centurypossibly 14thc Pinchbeck St Mary’s Church, Lincolnshire; stained glass
c. 1340c.1340 corbel depicting a man playing pipes
with pellet bells, St Mary’s, Cogges, Oxfordshire

‘Musical Wit and Courtly Connections at Cogges’ by Laura Slater
1495,manuscript London
All Saints Church, Chevening, Suffolk, pew end
15th c. Elkestone Church Gloucestershire
1451 Lincolnshire1451 Stamford, Lincolnshire
15th century15th century Oxford (poss)
1470 chair misericordc.1470 Scotland, chair misericord, double pipes or horns
15th century15th century Oxford extant double pipes
15th century
Late 15th century Suffolk
1585 print, London
Late 15th century Southwold, Suffolk
carved wood church benchend

[Ed. the official note says he is pulling his teeth out]
late 15th century late 15th ecntury  
late 15th century King's screen, damaged, York Minster
 
1668 Samuel Pepys wrote in his diary of: 1668Monday 20 January 1668
early 18th c Fairleigh Hungerford Church,
wood carving (poss. trumpets)
between 15th and 20th centurybetween 15th and 20th century, St Peter Mancroft
Norwich
17851785 printed in Italy, based on an original by Richard Cosway
1765 classical1765 - classical pose, print
19th century Scotland19th century Dean Castle, East Ayrshire, Scotland
1783 satirical print, BM
17861786 satire Edinburgh, Scotland
Chelsea figureChelsea porcelain figure
19th century19th century carved oak furniture
18611861 card case, Birmingham
 
1860's to 1880 tiles made by Copeland & Co., Stoke-on-Trent, Staffordshire
 
In the 19th/20th century designers and artists looked back to classical Greek times for their inspiration:
1862 Selsey Church, Gloucs, stained glass 1864 porcelain vase, British Museum  
1867 Norfolk stained glass1867 Old Hunstanton, Norfolk
1870 stained glass
18711871 Studley Royal
Yorkshire
19th centurysecond half of the 19th century: sketch for stained glass
1870's1870's lead figure
1874 Bournemouth1874 Bournemouth, Dorset
1880-1915 wallpaper All Saints, Cambs, stained glass
playerlead garden figure
Victoriandrawing by Frederic
Lord Leighton 
1884 painting
19th c drawing c British Museum
1890 stained glass,-on-Thames Henley1890 Henley-on-Thames
Oxfordshire
18941894 London, design book illustration
19141914 postcard
1920's
1920's  
1920's glass tray
20th century David Munrow 21st century21st century Avery
at Taborers Society symposium
21st century classical flowerpot on pedestal Surrey
  unknownunknown  

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