the Pipe and Tabor compendium

the Pipe and Tabor compendium

essays on the three-hole pipe

South and Central America

archeology to today

Ecuador
350 BE - 1531 CE Jama-coaque culture.
The entire culture was lost when the Spanish invaded Ecuador on a mission to conquer the Inca Empire from 1531
350 BE - 1531CE
350BE - 1531 CE   panpipes and rattle
Temple Scene: panpipes and rattle
   
In the 18th century, it is reported, that an Indian played a flute and a small drum accompanying specially trained
dancers in the Corpus Christi procession in Andean Ecuador. The pipe and tabor is still played in processions.

1735-1746 “…With regard to the dances, it is a custom, both among the parishes of Quito and all those
of the mountains, for the priest, a month before the celebration of the feasts, to select a number of Indians
who are to be the dancers. These immediately begin to practise the dances they used before their
conversion to christianity. The music is a pipe and tabor, and the most extraordinary of their motions
some awkward capers; in short, the whole is little to the taste of an European…”

[Volume 14] ‘A general collection of the best and most interesting voyages and travels in all parts of the world; many of which are now first
translated into English.’ By Don Antonio de Ulloa of his travels in 1735-46 in the lands of present-day Colombia, Peru, Ecuador, and Chile;
by Don Antonio de Ulloa

1791 Quito ‘The Disposition of the Indians in the Province of Quito’

“…They are lively only in parties of pleasure, rejoicings, entertainments, and especially dancing
;… one plays on a pipe and tabor, while others dance…”

‘Universal geography formed into a new and entire system; describing Asia, Africa, Europe, and America; ...
also giving a general account of ... the history of man, ... the state of arts, sciences, commerce by Payne, John

1870 “ The masquerade at Machachi was evidently intended to keep alive the memory of the Incas.
Three Indians ...  danced to music of the rudest kind, one individual pounding on a drum and blowing
on a pipe at the same time.”

‘THE ANDES AND THE AMAZON: OR, ACROSS THE CONTINENT OF SOUTH AMERICA.’ By JAMES ORTON, M.A.
PROFESSOR OF NATURAL HISTORY IN VASSAR COLLEGE, POUGHKEEPSIE, N.Y.

1860's1860's first half 20th century1900 - 1950 playing for costumed dancers Latacunga, Ecuador
Inti Raymi celebration  playerannual procession
video
player
playerplayer
playerplayers playerplayer
playerplayer player playerplayers
photographssource

Corpus ChristiGustavo Segovia
playing for Corpus Christi
procession in Pujili

20172017 procession, Pujili

tabor pipepipe from Quito

bamboo pipe, pingullo, from Guayaquil, Ecuador

20132013 bone pingullo, made by Luis Alberto Gonzáles, used with a drum

playerstatue playerstatue statuestatue end blown pipestatuette
playertile picture, Quito

Vintage Ecuadorian folk art, Quechua Tigua Festival drum

 
+rattlepanpipes and rattle  
 
Guatemala
  player2005 photog.Stan Raucher
 
Panama
700-1500700-1500 gold, Panama or Costa Rica
preColombianbetween 750 and 1400AD Panama
Detroit Institute of Arts
 
1100 to 1500 AD1100-1500 AD pendant, Coclé necklacenecklace, either Costa Rica or Panama, gold Veraguas/Diquis. snake? PanamaPanama/Costa Rica figure
pipe or snake?

“flutes and rattles found in indigenous archaeological sites in south Texas were also found in mission trash heaps,
indicating that mitotes* and other indigenous rituals involving music survived missionization”

‘The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810.’ by KRISTIN DUTCHER MANN, 2010

mitotes* - an ancient and modern secular round dance of the Aztecs

400-900AD400-900AD pendant, pipe and rattle
Panama brooch or pendant - copycopy, gold plated brooch or pendant
400-900AD400-900AD pipe and rattle, Veraguas, Period IV
700-1000 AD700-1000 AD Veraguas, Panama, or Costa Rica; gold pendant, pipe and rattle
800-1500800-1500 Chiriqui civilisation
700-1500700-1500 gold, Costa Rica or Panama
1000-14991000-1499 Veraguas, Panama,
sculpted gold pendant, pipe and rattle
playerA.D.800–1540A gold figurine of a man playing what may be a duct flute and rattle.
Veraguas culture.

Photog by Dale A.Olsen
gold statuette11th - 16th century, gold pendant
Western Panama,

Veraguas-Gran Chiriquí Style

11th-16thc gold pendant11th-16th century, Chiriqui,
gold pendant; pipe and rattle

 

“The armada that sailed from Sanlúcar, Spain, in April 1514 had at least sixteen professional musicians on board" .
One of these was a pipe and tabor player.

" Professional musicians mentioned in the documents related to the armada of Pedro Arias Dávila,
Governor of Castilla de Oro, 1513-1528:
Alonso Barba tamborino (tabor pipe player)
Diego de León tamborino, (also an instrument maker)
Benito de Bejer tamborino, pífaro/ pífano"

'Trumpets, Gold, Minstrels and Death Music and the Armada of Pedro Arias Dávila in Castilla de Oro
(Eastern Panama-Northwest Colombia), 1513-31'
 

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